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Event Photography

Meetups, Models, and Photo Retouching

Meetup Model Photo

Click to enlarge

Last week I participated in a “Models and Photographers” Meetup event where I took the photo at left. If you’re an aspiring photographer, or even a pro looking to meet new models or experiment with new techniques, I highly recommend using Meetups (www.meetup.com) as a low-cost, low-stress way to get out in the field and work with like-minded people.

In my city there are at least a dozen photography Meetup groups, many of which hold events at least once per week. Some Meetups charge a small fee to help cover administrative costs, but usually everyone involved is working for trade to build their portfolios (called TFP).  At last week’s meetup I found half-a-dozen would-be models and a similar number of photographers all working hard to create great images together with no financial pressure, and no expectations except that any good photos would be provided to the model afterward.

My photo above got some attention from the group, because other photographers who shot the same model in the same location did not get equally good results. They asked me to explain how I made the shot, and I happily obliged (sharing our techniques is one purpose of this group).  I thought you might enjoy the explanation as well. (more…)

Flash Photography with an Off-Camera Shoe Cord: Film Festival

San Diego Burning Man Film Festival

The Hoop Unit performs in the lobby

In a previous post I wrote about shooting an indoor event in a dark warehouse with the Lumiquest 80/20 with on-camera flash.  Today we’re going to look at another option for event photography: using an Off Camera Shoe Cord to get the flash off the camera.

If you want to view the photos before reading about them, see the gallery here.

Last night I attended the San Diego Burning Man Film Festival at the Museum of Photographic Arts in Balboa Park.  You can always count on the Burning Man community to turn out in fanciful costumes that make great photos.

Since I knew I’d be holding the camera in one hand and the flash in the other hand all night, I chose my gear based on weight: the super-light Rebel 350D and the 430EX flash (each considerably lighter than carrying my heavier DSLR and 580EXII flash).  Unfortunately, my workhorse lens for indoor photography, the EF-S 17-55mm f/2.8 IS, is a monster, so the camera is still quite a brick to hand-hold all night.  Not to mention front-heavy as hell on the tiny Rebel body.  But these are the trade-offs we make. (more…)

New Year’s Eve Party Challenge: How to Shoot an Event in a Dark Warehouse

New Years Eve Party - Painted GirlIf you’d like to view the photos before reading about it, see New Year’s Eve Party. (Warning: Some are slightly NSFW, no nudity, but there are some, um, colorful people here).

It’s the worst possible conditions for photography: a vast, crowded warehouse, minimal light, and no ceiling to bounce a flash from.  But somehow we’ve gotta light this scene!  We know that on-camera flash sucks and will make everything look flat and washed out like a DMV driver’s license photo. So my first inclination is to carry a wireless-triggered speedlite in my outstretched left hand while shooting with the camera in my right.  That would get a nice angle on the light and make everyone pretty.

But this is New Year’s Eve.  I’m wearing a tux, and a speedlite won’t fit in my pocket, and besides, I want to keep one hand free to embrace friends or carry a cocktail.

The solution? (more…)

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