This was supposed to be a sunset shoot on a gorgeous rooftop of a high-rise downtown.  We had the perfect angle to place the setting sun behind the models for dazzling backlight effect.

Everybody ready? Lights, camera, action…

Clouds.

Oh well. I’m on a roof with several beautiful models, so we’re going to make the most of it.  Switch to plan B.

Since we had a gray day I tried to create dramatic lighting and dramatic effects in post-processing to make the best of the situation.  Underexpose the sky (oops, missed that in some shots when my camera got bumped into Av mode instead of Manual. How did that happen?).  Add some vignette in processing and punch up the blacks, etc.

I’m not sure I really succeeded, in getting exactly what I wanted, but do I like some of the shots.  And more importantly, I learned some things from my mistakes.  Sometimes that is more useful than getting exactly what you planned for.

This was all lit with Speedlites. The techniques I’m experimenting with here are all part of the preparation for an upcoming course on “Advanced Off-Camera Flash.”

I’ll keep you posted on that.

Gotta love YouTube for always coming up with a splash screen where I have a funny expression on my face. They must have a special filter that searches for those frames.

If you’re interested, here is my course on Off-Camera Flash Photography.

Every wonder why the display on your Canon Speedlite 580EX or 430EX flash is blinking at you?  Ever want to throw it against the wall because you can’t get it to stop?  Here’s the solution.

Warning: It’s a bit of a rant.

Here’s my breathless 10-minute rundown of all the current contenders for radio-triggering your off-camera flashes.

This is an update of the information contained in my course, “How to Shoot Professional-Looking Headshots and Portraits on a Budget with Small Flashes.”

This technology is changing fast, practically daily, so I’ll make periodic updates available as things evolve.

I hope you find it helpful, and I welcome your feedback or stories of your own experience with any of this gear.

You might think it’s always better to buy the latest model of any photographic equipment, but that’s not always true.

For example, there is a good case to be made for the older Canon 430EX flash over the newer 430EX II. Why? Watch the video to find out which one is right for you.

If you own a detachable Speedlite-style flash, and you are shooting with it on your camera, you are wasting your investment in that expensive flash.

Face it, on-camera flash sucks. It drains the life out of your subject and makes everyone look like they are posing for a police line-up or a driver’s license photo.

You gotta get that flash off your camera!

The video above is my YouTube “commercial” for my off-camera flash course. Frankly I don’t know if it’s cheesy or if it’s cool, but I had fun making it, and people seem to love it on YouTube, so I thought I’d share it with you here.

Choosing the right flash can be intimidating to beginning photographers. It’s easy to find lots of jargon-laden technical specifications, but hard to find a simple analysis in plain language of which flash is the best one for your needs.

I’m going to make the choice easy for you.

Speedlite 270EX

If you are a Canon shooter, you basically have three options at the time of this writing in 2010: the Speedlite 270EX, 430EX II, and 580EX II.

We’re going to immediately simplify it by eliminating the little 270EX right out of the gate. In my opinion it just doesn’t make economic sense.

First of all the 270EX is small. With its head so close to the lens axis, it creates light that is not much better (in terms of direction) than the built-in flash on most cameras.

Second, the 270EX lacks the infrared focus assist beam that the larger models have to help you focus in the dark.

Third, the 270EX can’t tilt or swivel to bounce off a wall or ceiling like the larger models can. Sure, you can direct it upward, but for a few dollars you can buy a reflector that directs the built-in flash on your camera upward.

Speedlite 430EX II

I just don’t see the little 270EX as a good investment. If you’re going to spend the money on a flash, I suggest getting one of Canon’s grown-up Speedlites.

Choosing between the 430EX II and the 580EX II is a pretty simple choice. It’s not so much a matter of budget (although there is a $200 price difference) but a matter of how you intend to use the flash.

The basic difference between the two is this: the 580EX II can be used as a master control unit for multi-flash, strobist-style, off-camera lighting. The 430EX II cannot, although it can serve as a remote slave.

So, if you are buying your first flash, or your only flash, I see no good reason to spend the extra money on the 580EX. I recommend buying the less expensive 430EX II as a single flash.

Sure, the 580EX has more power, which gives you a bit more range. But frankly, I rarely find myself taxing the maximum range of my flashes. And the 580EX II has three red LED’s in its auto-assist focus beam, while the 430EX II only has two, and there are other small differences. But I don’t see these factors as being worth the $200 difference in price, if you are just going to use the flash on-camera.

Speedlite 580EX II

In fact, the smaller size and weight of the 430EX II make it more user-friendly when loaded on a camera and carried for hours at a time, unless you absolutely need the maximum power and range of the larger flash. Even though I own both models, I typically use the 430EX II for straight-up on-camera or shoe-cord photography.

However, if you want to do off-camera-flash lighting with the built-in Canon wireless Master-Slave system, then you need a 580EX II as the master control unit.

But once you’ve got that 580EX II in your bag as a master unit, you can go back to buying the less expensive 430EX II models to use as the remotes slaves.

So here’s my recommended progression:
Your 1st Flash – 430EX II – Inexpensive and light for on-camera use
Your 2nd Flash – 580EX II – To serve as Master in multi-flash setups
You 3rd, 4th, 5th etc… 430EX II – To serve as remote slaves.

And if you’re into off-camera flash lighting, you may want to check out my course:

“How to Shoot Professional-Looking Headshots and Portraits on a Budget with Small Flashes”

In there I cover all this stuff in great detail and show you these flashes in use, both with the Canon wireless setup and radio triggers, in photo shoots with live models.

Hope this helps.

Amazon Shopping Links

Canon Speedlite 430EX II

Canon Speedlite 580EX II